“Brock, what are you thinking?” Susan’s long hair dangled in my face and tickled my nose.
How do you answer that question? After I had ruined our anniversary dinner plans in a late-night edit session and only managed to save the evening with pancakes by candlelight, I couldn’t tell her what I was really thinking – not with her laying naked on top of me.
How do you tell a woman glistening in a thin sheen of perspiration and the after-glow of a particularly vigorous session that you’re thinking you want a beer and some sleep?
I gazed into her eyes and made something up. “You.”
“What about me?”
Dammit Einstein, you should have known better.
“You and me.” It wasn’t really a lie. I had been thinking a lot about her lately – just not right at that moment. Six months of co-habitation had gone a lot smoother than I had thought. Actually, our relationship had outlasted any of my other flings by more than three months.
Susan rolled off me and onto her side. She propped herself up on one elbow and looked into my eyes. “What about you and me?” Shadows created by the candles we had lit danced across her porcelain skin.
Maybe it was because she had seen me naked before we ever met – of course the same could be said for most of the city – or maybe it was the way Ernie beat the crap out of me the night we first kissed, or maybe it was that Susan was just different, but whatever the reason, hanging out together felt natural. I didn’t have to be careful what I said, or did. I wasn’t always on my best behavior like with most of the women I’d dated. And neither was she.
Nope, with Susan, I was free to be the same happy-go-lucky prick I was before we met. We never had to play the tiresome courtship games, unless of course we played them as a sarcastic slap in the face of social norms.
And I liked having someone to greet me when I came home at the end of the day. That that someone wanted to jump by bones was a plus, and the fact that she genuinely cared about my day made those romps in the sack special. As much as I liked to pretend these were just casual flings, I knew Susan felt differently. I didn’t like the idea of leading her on. But I liked the idea of her moving out less.
“I don’t know – just us.” I rolled on my side to face her. I brushed her hair away from her face with the back of my hand and let it linger on her cheek for a second too long.
Susan breathed a short gasp. “Ooh. You just gave me the yon-yons.” It was her favorite expression to describe the butterflies in her stomach when we kissed. Her face glowed with contentment. I just smiled and let my hand rest on her cheek a little longer.
Humor. That’ll diffuse the situation.
“Who would have thought that getting my ass kicked could lead to this?” I coughed a little laugh.
Susan’s face brightened and a loving grin gave way to a toothy smile. “You looked so helpless on the floor in the fetal position with Ernie pounding you and Nubby trying to pull him off.” She rolled on her back giggling.
I laughed along with her. The beating Ernie handed me that night was on par with the way my life had been headed at that time. I had flunked out of college. My naked cameraman routine made me a laughingstock in town. I was hopelessly lost shooting news, and I was bluffing my way through life. I knew it, and others around me were beginning to suspect it. I still couldn’t explain why Susan had hung around so long.
“Why’d you take me home that night?”
“I don’t know.” Susan stopped giggling.
I waited. “Sympathy?” Susan’s face went blank. I knew that hurt, but I persisted. “Revenge?”
Susan stared straight ahead with a puzzled look on her face.
What the hell was I doing? Susan was the first woman to have real feelings for me, and I was accusing her of throwing me a mercy hump, but it was what I thought about every time I thought about us.
She turned her back to me and pulled the covers up to her ears. He shoulders twitched. She was crying.
Good work Einstein.
I nestled in to spoon her, but Susan rolled onto her stomach.
“C’mon, Susan. You gotta admit,” I pushed myself sitting against the headboard, “we went from flirting, to bed, to roommates pretty quick.”
“Is that how you think of me? Your roommate?” Her voice held no expression.
“I don’t know what I think anymore.”
“That’s your problem, Rene. You think too much. Love isn’t rational.”
There it was again. The ‘L’ word.
“You think my feelings for you are rational?” Susan rolled to face me. Her eyes puffy, determined not to cry. “One minute I want to scream because you can’t remember to take out the garbage or pick up your smelly work shoes. Then I see your sexy smirk and I just want to kiss you.”
I wanted to smirk, but I couldn’t. I’d never seen Susan like this. Vulnerable. My shoulders slumped. My heart sank. What a prick.
“Then,” she sniffed, “I want to slap that damn smirk off your face when you don’t call when you’re going to be late, and when you finally come home, I want to hug you and never let you go.”
She looked me dead in the eye. She took a deep breath as if to stiffen her resolve. “You want to know why I took you home that night?”
It really didn’t matter at this point, but I was sure I was going to find out.
“Because I knew you.” Susan sat up.
I couldn’t look her in the face. My gaze trailed off somewhere around the nape of her neck.
“I knew you had passion. The way you ranted about being fired inside the store the day we met. Who says those kinds of things to a complete stranger? One look into your eyes that night at the Cotton Gin, one kiss on the dance floor, and I knew all I needed to know. I could feel it.” Susan’s voice brightened a bit. “It was more than the yon-yons. It was the way my heart fluttered. The way the world disappeared when I was in your arms. The way the room spun.”
I remembered those same feelings that night . . . right up until Ernie landed his first punch. “I think that was Ernie.” I tried to look coy.
“Why do you always do that?” Susan frowned.
“Do what?”
“Try to make jokes about something serious. Do you think my feelings are a joke?”
I stared into the sheets like a scolded kid. “No.” I finally sputtered. “It’s just all this talk is uncomfortable for me. I feel like letting you tell me you love me all the time is leading you on. I’m not sure what I feel.”
“You know exactly what you feel. You just don’t want to admit it.” Susan leaned in to me. Her skin was soft and warm. Her eyes begged me to give in. Something inside me melted.
Susan held me in her gaze.
Why was it so easy to listen to that passion at work but not at home? She could have gotten me to do almost anything if she had just asked. Instead, she pulled me down onto the pillows and snuggled into my side. She laid her head on my chest.
“I can hear your heart.”
“Oh yeah, what’s it saying?”
“That’s something you’re going to have to figure out for yourself. But don’t think too hard. Just listen.”
Friday, March 26, 2010
Monday, March 8, 2010
BLACK BOX
Edi-turd's note: Taking a break from Brock's story for something a little different. My local writers' group tackled a little writing exercise. 600-800 words. Character opens a black box holding a secret. Lemme know what you think.
Tony gently placed a box on the table next to a large pair of scissors. His hands trembled as he ran them back and forth across the lid.
She never let him have his “little treasures” (as she called them). He always had to hide them.
Why’d she have to be such a bitch?
Once, she found one of his smut mags – another of her names for the many things she of which she disapproved – and immediately called her pastor over for dinner and a lecture.
What did he care what her pastor thought? Like he was any better, robbing little old ladies with his stories of miracles and promises of salvation.
That’s when Tony had started hiding his treasures in plain sight. She’d never think to look in the decorative black box wrapped in black and white speckled ribbon with curly-q ends. It had been sitting empty atop the entertainment center for three years.
Hiding shit in his own house. His check paid half the mortgage, the utilities, the groceries. He even paid for the expensive interior designer who’d re-done the house in colors he despised. It was all about her, and what she wanted. From the spit-shined brass knick-knacks on the mantle to the flowery wall paper in the bedrooms, to the potpourri candles that choked him every time she lit them.
Every time he took the box down to fantasize, he’d carefully untie the ribbon so as not to kink or tangle the ends and give away his little secret. And when he was done, he would re-tie the bow in exactly the same manner and fluff the loops so that she’d never notice the difference. Then he’d wipe off any fingerprints or smudges he may have left on the shiny surface and slip the box back into its place at the exact angle it had been before. He’d been doing that for almost two years now.
Fuck her.
He picked up the scissors and studied his reflection in the cold steel. His heart raced at the sound of the two honed steel blades grinding past each other, and he slid his hand down his pants to soothe his growing erection.
Snip.
It was music to his ears. He had waited so long for this chance. Now he’d finally get his release.
He watched the ribbon fall to the table.
Tony’s hand trembled as he removed the top.
“Tony, I’m home!” she called from the kitchen.
Caught in the act. But this time he was ready. This time it would be different. He, with his guilty pleasures, wasn’t the freak of the house. It was her with her spotless wine glasses, polished dinner table and floor clean enough to eat on, her alphabetized book collection, her closet arranged by color and size, her early morning cleaning rituals, her meticulous schedules.
She was the freak, not him.
This was going to rock her world.
“In here, Mother,” he answered trying to keep his voice from quivering. “You stupid sadistic fucking whore,” he added to himself.
“Can you be a dear and help me unload the groceries.”
“I kinda have my hands full.” The truth and irony of the line made him smile almost as much as hatching his little plan. He released his erection and reached into the box. “Can you give me a hand?”
“Tony Simon! The ice cream is melting in the trunk. You come out here this instant or you’ll be scrubbing the car!” Her voice grew louder as she left the kitchen and made her way toward the family room, “I won’t have sour milk spoiling my clean car.”
She rounded the corner into the family room.
The blast reverberated through the spotless home. Panes of sparkling glass rattled in their frames. Blood spatters marred the freshly painted walls.
She froze. All she could do was stare as Tony’s brains leaked over the rich brown leather of her sofa.
Tony gently placed a box on the table next to a large pair of scissors. His hands trembled as he ran them back and forth across the lid.
She never let him have his “little treasures” (as she called them). He always had to hide them.
Why’d she have to be such a bitch?
Once, she found one of his smut mags – another of her names for the many things she of which she disapproved – and immediately called her pastor over for dinner and a lecture.
What did he care what her pastor thought? Like he was any better, robbing little old ladies with his stories of miracles and promises of salvation.
That’s when Tony had started hiding his treasures in plain sight. She’d never think to look in the decorative black box wrapped in black and white speckled ribbon with curly-q ends. It had been sitting empty atop the entertainment center for three years.
Hiding shit in his own house. His check paid half the mortgage, the utilities, the groceries. He even paid for the expensive interior designer who’d re-done the house in colors he despised. It was all about her, and what she wanted. From the spit-shined brass knick-knacks on the mantle to the flowery wall paper in the bedrooms, to the potpourri candles that choked him every time she lit them.
Every time he took the box down to fantasize, he’d carefully untie the ribbon so as not to kink or tangle the ends and give away his little secret. And when he was done, he would re-tie the bow in exactly the same manner and fluff the loops so that she’d never notice the difference. Then he’d wipe off any fingerprints or smudges he may have left on the shiny surface and slip the box back into its place at the exact angle it had been before. He’d been doing that for almost two years now.
Fuck her.
He picked up the scissors and studied his reflection in the cold steel. His heart raced at the sound of the two honed steel blades grinding past each other, and he slid his hand down his pants to soothe his growing erection.
Snip.
It was music to his ears. He had waited so long for this chance. Now he’d finally get his release.
He watched the ribbon fall to the table.
Tony’s hand trembled as he removed the top.
“Tony, I’m home!” she called from the kitchen.
Caught in the act. But this time he was ready. This time it would be different. He, with his guilty pleasures, wasn’t the freak of the house. It was her with her spotless wine glasses, polished dinner table and floor clean enough to eat on, her alphabetized book collection, her closet arranged by color and size, her early morning cleaning rituals, her meticulous schedules.
She was the freak, not him.
This was going to rock her world.
“In here, Mother,” he answered trying to keep his voice from quivering. “You stupid sadistic fucking whore,” he added to himself.
“Can you be a dear and help me unload the groceries.”
“I kinda have my hands full.” The truth and irony of the line made him smile almost as much as hatching his little plan. He released his erection and reached into the box. “Can you give me a hand?”
“Tony Simon! The ice cream is melting in the trunk. You come out here this instant or you’ll be scrubbing the car!” Her voice grew louder as she left the kitchen and made her way toward the family room, “I won’t have sour milk spoiling my clean car.”
She rounded the corner into the family room.
The blast reverberated through the spotless home. Panes of sparkling glass rattled in their frames. Blood spatters marred the freshly painted walls.
She froze. All she could do was stare as Tony’s brains leaked over the rich brown leather of her sofa.
Thursday, March 4, 2010
ANNIVERSARY DINNER (end)
The silence was worse than the fight. And knowing I had hurt her was worse than the silence.
I let my eyes drop from her face to a spot on the floor half-way between us. My body was drained, my mind blank. And through it all, Susan stared silently, her eyes dead, refusing to hint at what she was thinking, what I needed to say.
“When do we come first, Bock?”
Finally. A clue. I played out the options in my head. You’re always first. I hadn’t exactly acted that way. What was the other option?
I finally broke the silence. "I know I've taken you for granted lately. You're really important to me." I crossed the kitchen and stood in front of her. "But this television thing is tough. I've got so much to learn to catch up with the rest of the photogs. I've got to pay my dues. And it's still new."
“That’s what I’m talking about! Why do you always do this?”
“Do what? I’m trying to explain.”
“Why do you always make this about your job?” Susan sighed. “This isn’t about cameras or tape or news. This is about having a life. I’ve got a job too. But you don’t see me hanging around the hotel for hours after my shift. I have a life outside of work. I thought you did too.” Another tear rolled down Susan’s cheek. It was obvious she had been holding back these feelings for a while.
I wanted to tell her – to explain – but I didn’t know, myself, why I spent so much time at work.
“What is it that makes you spend night after night in that station instead of at home? Is it me? Am I smothering you? Did we move in too soon? Do you need your space?”
She brushed a stray lock of hair behind her ear while she waited for me to answer. I didn’t have a clue what to say. The last thing I wanted was for her to move out.
She dabbed at her eyes with a dish towel. “I’m not asking you to spend every waking hour with me. But a phone call when you’re going to be late would be nice. And once in a while, I’d like to be able to plan a nice date.”
Susan leaned back against the sink.
Thick, heavy silence filled the room. The kitchen was only eight feet wide, but Susan felt an ocean away. I didn’t know why it even mattered. We had only known each other six months, but what she thought about me and my non-life mattered more than I wanted to admit it. My heart pounded inside my chest. "I wish I could explain the rush I get from telling a good story.” My head reeled as I searched for exactly the right words. “Its adrenaline and anticipation and butterflies . . . It's like a first kiss."
Wrong words.
"Oh, so when you're kissing me, you're thinking about work!" She turned away from me and slammed her hands on the counter top. "Fucking brilliant!"
I put my hands on her shoulders and tried to turn her to face me. “No. It’s – ”
She pulled away. "That's what you said." She answered into the kitchen sink.
"It's . . . the excitement of creation."
“So, now you're god.”
"Just forget it. You wouldn’t understand.”
“No, I need you to understand something.” Susan sighed and slowly turned toward me. The anger in her eyes had softened. “I’m not trying to take you away from your job. I know that you love it. I see it on your face every day when you walk through the door.”
A whisper of a smile crossed her lips. Susan dangled her hand limply next to mine. My heart raced as her fingers brushed against my palm, and she let my hand wrap around hers.
“That excitement in your eyes why I come home every night. I work all day dreaming of the smile on your face when you get home. I want that smile to be for me, not some city alderman running for re-election. I can’t wait for you to come in with those big, blue eyes sparkling like a kid who just pulled one over on his teacher. But I don't get that when you don't come home.” She slipped her hand from my grip. “This all happened too fast. You need time to sort out your life.”
My chest ached again, but this time it wasn't the bruise from my falling camera. I knew exactly where she was going. Things had moved fast between us, but it was that passion that kept me going. Susan's belief in me and her support made facing the mistakes I made every day at work bearable.
Brock, call me at home. The small voice pager on my belt could not have squawked at a worse time.
I ripped it from my belt and sailed it across the kitchen. It hit the wall and broke into three pieces. At least it silenced the ASSMAN.
Susan frowned. “You better answer that. Ken sounds like he means it.”
“The ASSMAN can wait.”
“It's okay, call him. He probably wants you to go in early and work late tomorrow.” She tried to smile.
I put the phone on speaker and dialed Ken’s number. I wanted Susan to hear me tell him where he could stick his late-night page, but she retreated to the bedroom. Ken answered on the first ring.
“Great fushing story!” He was smashed. “Why didn't you tell me she was sho good?”
“I tried, remember. But you didn’t want to hear it.”
“You guysh did great! I always knew you had it in you. See you at work tomorrow.” And the phone went dead.
Silence hung in the room like the smell of cooked cabbage.
I walked over to the corner and gathered the pieces of my voice pager. The speaker lay near the wall under a small knick it had left in the paneling. The belt clip landed a couple feet from it near the stove. I picked up the cover to the battery compartment from under the kitchen table last and sat down to put it back together. Why couldn’t relationships be that easy?
I sat at the kitchen table, afraid to disturb the uneasy peace, and rewound the day. I had finally found a small degree of success at work. Ken’s phone call should have been great news. I should have been happy. But all I could think of was how I had wrecked Susan’s night. And the more I thought about that, the more I realized she was right.
Why hadn’t I just called to tell her I’d be late? Stupid question. That would have been admitting that I’d rather work than go out with her. Even though that’s the way it looked, it wasn’t the case. Telling a good story was like catching lightning in a bottle. It was urgent. If I didn’t do it right then, the opportunity would be gone forever. Susan, it seemed, would always be there.
I’m not sure how long I sat in the quiet of the kitchen asking myself if I really believed that and why it was that my mind worked that way. The longer I sat there, the heavier the silence became until it was unbearable. I had to do something, but what?
I pushed away from the table as quietly as I could trusting that the words would come to me when I reached the bedroom. I met Susan in the hallway. Evidently she was thinking the same thing. We stood there for a while, each waiting for the other to say something.
It had always been my experience that in situations like this one, the first person to speak was the one that lost. For some inexplicable reason I was more worried about losing Susan than an argument. I took a deep breath and looked her in the eyes. “I've been a dick lately. I should have called tonight.” I paused hoping my apology would sink in. “I'll do better. Don’t move out.”
Tuesday, March 2, 2010
BIRTHDAY DINNER (part one)
I fluffed a small bouquet of tired-looking daisies and turned the ones with brown-edged petals away from the door. It wasn't much to look at, but it was all the grocery store had at 10:05 at night. I knocked three times – in the last six months, it had become my code – and let myself in.
Susan slouched on the sofa watching Lou James toss to Tommy Kay for the weather. She didn’t move as I entered the apartment. Instead of her usual skin-tight jeans and revealing blouse, she wore formless sweatpants. The neck of her oversized sweatshirt drooped across her shoulder revealing the strap of her lacy black bra.
“Oh, good. You’re watching the news. I want you to see the story I shot. It’s the kicker at the end of the show.”
She turned off the TV and hid her face as I bent to give her a hug.
“Hey, what’s the matter? I brought you some flowers for your birthday.”
She swung her head back to face me. Her golden eyes looked tarnished. Black mascara smudges ran down to her cheek bones. “Do you know what it’s like to be stood up on your birthday?”
“I . . . uh – ”
"I was worried sick. I just knew you were on the side of the road at some crime scene somewhere, dead." She stepped back and looked into my eyes. "I could kill you."
"I –"
"Where do you get off not calling me?” Her tears dried. It must have been the flames forming in her eyes. “You were supposed to take me to dinner tonight."
"I know but –"
"It’s my birthday!"
"Yeah, but –"
"I got all dressed up.”
“Yeah, nice sweats.” I handed her the pitiful flowers and plopped down in the La-Z-Boy across the living room.
She took one look at my peace offering and slung it across the room. “Flowers ain’t gonna fix this.”
“I know I –”
“I was in the edit bay.” She mocked my feeble attempt at an explanation. “Can’t you come up with something more original?”
“I was in the edit bay, and what’s it to you?”
"Lemme guess." Susan closed the door and faced me, her hands on her hips and fury in her voice. "Another story! What was it this time, Bock? A cat in a tree? The school board set a new, longest meeting record? Or were you repairing the damage you did to another sports interview?"
That last one hurt. But she was right. This whole routine was getting old. We had moved in together just three weeks after Ernie punched my lights out on the Cotton Gin dance floor. It was quick – maybe too quick. But there was something between us that neither she nor I could deny. And the sex was great.
"A carhop." I mumbled.
"What?" Susan screamed and stared straight through me. "I missed a night in a fancy restaurant for a fast-food floozy on roller skates!” Her arms waved wildly over her spray-starched hair. “I'm getting tired of this, Bock."
"I know."
"What's this make, seven, eight times we’ve canceled our plans because of your job?"
"I know. I'm sorry.” I hung my head. I didn’t have to try to look pitiful this time. I hated letting her down.
“I don’t want your damn apologies! I want steak Janon!”
The thought of the signature dish at the poshest restaurant in town made my mouth water.
“I want a night out with a boyfriend who wants to spend time with me!”
She was right. I had been spending too much time at the station, changing our plans at the whim of the ASSMAN. When we were together, it was perfect – except for when I screwed things up. It was a constant struggle to balance my love for my new job with my feelings for Susan. And it was not an explanation I wanted to tackle, especially with Susan this mad at me.
“I do want to spend time with you. You know that, but this is the way news works. I can't tell you when the next big story is going to happen."
"And what's big news about a carhop? I know,” Susan’s voice oozed sarcasm, “she ended world hunger with her serving tray!"
I had that one coming, I guess. My head sagged between my shoulders and I sighed in exasperation as I crossed the room and scooped the disheveled bouquet off the floor.
Susan’s eyes followed me almost daring me to speak.
I obliged.
"The carhop wasn't the big news part." I fought to keep a somber look on my face. I had to look contrite, but I could feel the edges of my lips giving away my true emotions. "It finally happened. It finally clicked! I told a good story!" I felt my face light up.
"Fan-fucking-tastic!" Susan stormed past me into the kitchen. I was sure she was headed for the knife drawer, but I followed her trailing limp flower petals anyway.
She spun to face me, the anger in her face tempered by desperation. "Let's stop the world because Bock has a good story.” Tears began to pool in the corners of her eyes. “What about us? What about our lives?” A fat tear cleared a fresh trail through her mascara, smearing a gray streak down her cheek.
I hadn’t really thought that much about us. I had it good. A job I loved. A girlfriend at home who loved me. She told me as much every time I left the apartment.
“We can't just put everything on hold every time someone has a story to tell.” Susan folded her arms across her chest and waited for me to say something.
I searched my brain. What was it that she wanted to hear? It wasn’t another apology. I love you? I wasn’t ready for that. I’ll move out? I wasn’t ready for that either.
I stood there staring back at her. Waiting. Hoping. Praying for an answer that would get me off the hook. I shifted my weight, first to my left foot, then to my right.
Susan didn’t budge. She wasn’t letting me off that easy tonight.
Susan slouched on the sofa watching Lou James toss to Tommy Kay for the weather. She didn’t move as I entered the apartment. Instead of her usual skin-tight jeans and revealing blouse, she wore formless sweatpants. The neck of her oversized sweatshirt drooped across her shoulder revealing the strap of her lacy black bra.
“Oh, good. You’re watching the news. I want you to see the story I shot. It’s the kicker at the end of the show.”
She turned off the TV and hid her face as I bent to give her a hug.
“Hey, what’s the matter? I brought you some flowers for your birthday.”
She swung her head back to face me. Her golden eyes looked tarnished. Black mascara smudges ran down to her cheek bones. “Do you know what it’s like to be stood up on your birthday?”
“I . . . uh – ”
"I was worried sick. I just knew you were on the side of the road at some crime scene somewhere, dead." She stepped back and looked into my eyes. "I could kill you."
"I –"
"Where do you get off not calling me?” Her tears dried. It must have been the flames forming in her eyes. “You were supposed to take me to dinner tonight."
"I know but –"
"It’s my birthday!"
"Yeah, but –"
"I got all dressed up.”
“Yeah, nice sweats.” I handed her the pitiful flowers and plopped down in the La-Z-Boy across the living room.
She took one look at my peace offering and slung it across the room. “Flowers ain’t gonna fix this.”
“I know I –”
“I was in the edit bay.” She mocked my feeble attempt at an explanation. “Can’t you come up with something more original?”
“I was in the edit bay, and what’s it to you?”
"Lemme guess." Susan closed the door and faced me, her hands on her hips and fury in her voice. "Another story! What was it this time, Bock? A cat in a tree? The school board set a new, longest meeting record? Or were you repairing the damage you did to another sports interview?"
That last one hurt. But she was right. This whole routine was getting old. We had moved in together just three weeks after Ernie punched my lights out on the Cotton Gin dance floor. It was quick – maybe too quick. But there was something between us that neither she nor I could deny. And the sex was great.
"A carhop." I mumbled.
"What?" Susan screamed and stared straight through me. "I missed a night in a fancy restaurant for a fast-food floozy on roller skates!” Her arms waved wildly over her spray-starched hair. “I'm getting tired of this, Bock."
"I know."
"What's this make, seven, eight times we’ve canceled our plans because of your job?"
"I know. I'm sorry.” I hung my head. I didn’t have to try to look pitiful this time. I hated letting her down.
“I don’t want your damn apologies! I want steak Janon!”
The thought of the signature dish at the poshest restaurant in town made my mouth water.
“I want a night out with a boyfriend who wants to spend time with me!”
She was right. I had been spending too much time at the station, changing our plans at the whim of the ASSMAN. When we were together, it was perfect – except for when I screwed things up. It was a constant struggle to balance my love for my new job with my feelings for Susan. And it was not an explanation I wanted to tackle, especially with Susan this mad at me.
“I do want to spend time with you. You know that, but this is the way news works. I can't tell you when the next big story is going to happen."
"And what's big news about a carhop? I know,” Susan’s voice oozed sarcasm, “she ended world hunger with her serving tray!"
I had that one coming, I guess. My head sagged between my shoulders and I sighed in exasperation as I crossed the room and scooped the disheveled bouquet off the floor.
Susan’s eyes followed me almost daring me to speak.
I obliged.
"The carhop wasn't the big news part." I fought to keep a somber look on my face. I had to look contrite, but I could feel the edges of my lips giving away my true emotions. "It finally happened. It finally clicked! I told a good story!" I felt my face light up.
"Fan-fucking-tastic!" Susan stormed past me into the kitchen. I was sure she was headed for the knife drawer, but I followed her trailing limp flower petals anyway.
She spun to face me, the anger in her face tempered by desperation. "Let's stop the world because Bock has a good story.” Tears began to pool in the corners of her eyes. “What about us? What about our lives?” A fat tear cleared a fresh trail through her mascara, smearing a gray streak down her cheek.
I hadn’t really thought that much about us. I had it good. A job I loved. A girlfriend at home who loved me. She told me as much every time I left the apartment.
“We can't just put everything on hold every time someone has a story to tell.” Susan folded her arms across her chest and waited for me to say something.
I searched my brain. What was it that she wanted to hear? It wasn’t another apology. I love you? I wasn’t ready for that. I’ll move out? I wasn’t ready for that either.
I stood there staring back at her. Waiting. Hoping. Praying for an answer that would get me off the hook. I shifted my weight, first to my left foot, then to my right.
Susan didn’t budge. She wasn’t letting me off that easy tonight.
Wednesday, February 24, 2010
SHOOT WITH YOUR EARS (the end)
After I sent Sagre's school board story to the control room, I sat in the edit bay moping. No one would touch my car hop story. But I knew better than any of them. News? That might be a stretch, but it was a good human interest story that people would talk about around the water cooler, if they ever saw it.
I popped the tape into the playback machine, and slapped the shuttle wheel on the edit control console. Zig-zaggy images rolled backward across the monitor at eight times normal speed. Sam spoke in high-pitched Russian until the tape reached the beginning. "My name is Sam, and I'm a car hop."
That was it! It was that simple. If no one else would tell Sam’s story, I would let her tell it herself! I shuttled through the tape for an opening shot.
A large finger entered from the top of the screen and pushed a small red button on a silver speaker box. “Welcome to Sonic, can I take your order?”
Cut to another close-up, burgers sizzling on the griddle. Grease droplets leap from red meat. The mic was so close I could hear the meat squish as a long, spatula pressed pink juice from the burger.
"Order up!" Another tight shot of an overweight cook in a paper hat hollering.
Fingers with red-painted nails dropped paper-wrapped burgers onto a red dinner tray.
Another hand set a chocolate shake on the tray.
Sam's roller skate wheel entered the frame, and rumbled quietly down the pavement. The camera moved down the sidewalk with it. "My name is Sam, and I'm a carhop."
I rewound the tape, leaned back in my chair and watched it.
Damn. It was a rough edit, but it was good. I closed the edit bay door and buried myself in the edit, trimming shots here, extending shots there, smoothing out audio transitions, weaving a seamless open for Sam's story.
The whole sequence took less than six seconds. It took me nearly 20 minutes to get it right. Then I pressed on with the rest of it.
Just like in the parking lot, I let the story speak. It told me where it wanted to speed up, where it wanted to breathe. My fingers flew across the edit console, splicing sound and pictures into the graceful dance I saw in my head.
I choreographed Sam's moves to a soundtrack of sizzle, glurb, tink, schwick and rumble. Sam's own words were the lyrics I hoped would pull viewers along until Sam would deliver the knock-out punch of this little feature film.
"Everybody should care.” Trays and shakes floated in and out of frame. Sam’s skates twirled on the oil-stained concrete. “I'm not just schlepping burgers from the griddle to your car. I'm providing a service.” Customers unwrapped burgers and chompped fries.
A quick tight shot of the customer’s smile, then it was back to Sam on the hood of my car to finish out her passionate soliloquy.
Cut to a shot of Sam pushing her way backwards from the kitchen into the parking lot and out of frame. "This is my job, and I'm gonna do it right."
Close-up. Sam’s skates pirouetted in front of another car. The window eased its way down. "Besides, the tips are better when I spin."
Close-up. Sam's face lit up the screen. "Hi my name is Sam. Thank you for choosing Sonic!"
I rubbed my face. I hadn't realized I was sweating. I eased back in my chair and shuttled back to the beginning of the story. I opened the edit bay door to cool off and punched play. I smiled, satisfied as Sam spoke her last line and exited the screen to reveal a soft-focus shot of the Sonic sign. I mentally amended my new mantra. “Shoot with your ears; listen to the story.”
"Cute story." Lou James’ voice-of-god delivery startled me. "Who shot it?"
"What?"
"It's a cute story." The weekend anchor explained. "Well shot, very well edited. Where did you find it?"
“Lou, what are you doing here at night?”
“Grip’s off. I’m filling in. It’s my chance shine. Work my way off the weekend shift and into the money!” His eyes sparkled. “So, where’d you find the story? I didn’t see it on the network feed.”
"I shot it this afternoon." I blinked, a little surprised at the compliment. "I just finished editing it."
"Doesn't look like your work. It's not blue."
"I don't know what happened. It just sort of all came together."
"I especially like the way you slipped in that little bit about an honest day's work. And letting her tell the whole thing is a brilliant idea."
"It's not my story. It's Sam's. I just helped her tell it. Too bad no one will see it." I slouched in my seat. "None of the producers want it."
"Those show-stackers don't know anything,” he answered with a dismissive wave. “Tonight, it’s my show. I want it in. It's late, but I'll make sure it gets in the ten o'clock."
"Late? What time is it?"
"9:38."
"Shit! I was supposed to take Susan to eat for her birthday." I ran past the anchor toward the back door. "Can you take the tape to the control room for me? Shit!"
"I'll handle it. Better not show up without flowers."
Wednesday, February 17, 2010
SHOOT WITH YOUR EARS (part three)
part one
part two
I had barely darkened the newsroom door when Ken “the ASSMAN” Roberts lit into me. "Where the hell have you been?"
"Uh, lunch?" I waved him off.
"Lunch!" He sprayed my shirt with spittle. "Who cleared you to take lunch?" The dome of the Assignment Manager's egg-shaped head glowed red. His shoulders bunched around his ears and the folds of skin hanging on to his jowls trembled. "I've got reporters without photogs circling the desk like planes around LaGuardia, and you stop for lunch?"
"A photog's gotta eat." Ken's tirades were the stuff of legend, but the ASSMAN's venom had never been directed at me. Thirty-five years in television news had turned a one-time star reporter into a seething gasbag. He ran the assignment desk like a concentration camp. A photog hadn't earned his stripes until Ken went off on him. "Doesn't look like you've missed too many lunches." I patted his belly and started toward an edit bay with my tape.
"Where do you think you're going?"
"While Bump ate lunch, I shot a feature story about a carhop on her way to a national competition, so –"
"No one told the desk about a feature story." Ken's head was buried deep between his shoulders. The vein in the middle of his bald spot throbbed.
"That's because it just sort of happened."
"News doesn't just happen! It's not news in this building until I say it's news!" He waved his assignment sheet in my face. "Do you see anything about a carhop on the assignment list? Then it’s not news!"
"But it's a good story."
"You wouldn't know a good story if it shit in your face. And you sure as hell couldn't shoot it, you blue video, out-of-focus-shooting, no-sound-getting rookie."
Weaver rounded the corner of the big granite assignment desk just in time. “What the hell –" I had already thrown down my tape and was about to lunge at ASSMAN. Ken had his fists up in a boxing pose from the 1920's.
Weaver stiff-armed me right in the bruise on my chest. Fire, like a .38 caliber slug, shot through me.
"Calm down!" Weaver yelled.
I crumpled into a chair at the nearest desk.
"You better get a handle on your staff. Let 'em know how things work around here." Ken huffed at Weaver. "I assign the stories! They don't just go off doing as they please."
"That asshole better learn to shut his fat mouth, or I'll shut it for him!" I struggled against Weaver’s arm to get up.
“Both of you shut the hell up!” Weaver held me in my seat with one hand and pushed Ken toward the assignment desk with the other. “Ken, get back to the desk. Rene, my edit bay. NOW!"
Inside edit one, Weaver let me have it. "What the hell do you think you were doing in there?”
“He started it.”
“I stick my neck out and hire you with no experience. I defend you every time your stuff has to be re-shot by someone else, and you disappear for an hour, then pick a fight with the Assignment Manager?"
"Weaver, it's a good story."
"I don't care if it's the second coming of Christ himself. You just don't go off and do your own thing."
"So if I see a twenty car pile-up on Hollywood, you're telling me to ignore it?"
"You know better than that," Weaver sighed. "You gotta let the assignment desk know what you're doing. Ken's got way too many things to keep track of without wondering if some photog is off freelancing a story that no one wants."
"I'm telling you Weaver, this is a great story. The girl is fantastic, the pictures are there; the sound is clean. I nailed this one."
"Why didn't you radio that in before you shot it? What do you think your chances are of getting it on air now?"
I hung my head. "Yeah, I'll talk to him about it."
"You've done enough damage. You need to let this one go.”
“But Weaver, the story is gold.”
Weaver shook his head. “It’s my own fault. I knew you were too eager when I hired you.”
Was that a chink in his armor? Was Weaver coming around to my side? I sat there and tried to look pitiful.
Finally, Weaver sighed. “I shouldn’t tell you this, but if you really want to this story into a newscast, try to sell it to a reporter and have them sell it to Ken. Make it sound like someone else's idea."
“Got it.” I bounced to my feet and headed for the reporter’s pod.
“But I never told you to do it.” he called after me.
"Sarge" Wilders trampled through the newsroom like the proverbial bull-dyke in a china shop. Sarge spent half her life as a public information officer in the Marines. Her short-cropped hair and don’t-mess-with-me stare could wilt the resolve of the saltiest photog, but I had to try. “Sarge . . . uh . . . How about trying something a little softer today – It’s already shot – All you have to do is voice it.”
She lit into me like . . . well . . . like a drill sergeant. “Soft? Who you calling soft? The school board is voting on which standardized test to give to the little hellions. I have to be there this afternoon.”
"But Sarge, this story is visual." I begged.
"Too bad kid, the school board is real news."
Dick Hicks had always been open to my ideas before. He panned my idea for an interview with the mayor about the city’s effort to ban noise. And Boyd Leffingwell, the newsroom’s other screw-up, was all a twitter about his big live report from the 4-H fair.
When Ken caught wind of what I was doing he assigned me to Sarge and the school "bored" meeting from hell. I squinted through my lens as board members blathered about Iowa Test scores, bell curves, normalized results and standard deviations.
Riveting television.
While I wasted tape, my mind constructed Sam’s story, the sound bites, scoops of fries dropping into paper sacks, soft-serve ice cream globbing into waxy cups, the crinkle of cellophane as a customer unwrapped an after dinner mint.
It would never see the light of day.
part two
I had barely darkened the newsroom door when Ken “the ASSMAN” Roberts lit into me. "Where the hell have you been?"
"Uh, lunch?" I waved him off.
"Lunch!" He sprayed my shirt with spittle. "Who cleared you to take lunch?" The dome of the Assignment Manager's egg-shaped head glowed red. His shoulders bunched around his ears and the folds of skin hanging on to his jowls trembled. "I've got reporters without photogs circling the desk like planes around LaGuardia, and you stop for lunch?"
"A photog's gotta eat." Ken's tirades were the stuff of legend, but the ASSMAN's venom had never been directed at me. Thirty-five years in television news had turned a one-time star reporter into a seething gasbag. He ran the assignment desk like a concentration camp. A photog hadn't earned his stripes until Ken went off on him. "Doesn't look like you've missed too many lunches." I patted his belly and started toward an edit bay with my tape.
"Where do you think you're going?"
"While Bump ate lunch, I shot a feature story about a carhop on her way to a national competition, so –"
"No one told the desk about a feature story." Ken's head was buried deep between his shoulders. The vein in the middle of his bald spot throbbed.
"That's because it just sort of happened."
"News doesn't just happen! It's not news in this building until I say it's news!" He waved his assignment sheet in my face. "Do you see anything about a carhop on the assignment list? Then it’s not news!"
"But it's a good story."
"You wouldn't know a good story if it shit in your face. And you sure as hell couldn't shoot it, you blue video, out-of-focus-shooting, no-sound-getting rookie."
Weaver rounded the corner of the big granite assignment desk just in time. “What the hell –" I had already thrown down my tape and was about to lunge at ASSMAN. Ken had his fists up in a boxing pose from the 1920's.
Weaver stiff-armed me right in the bruise on my chest. Fire, like a .38 caliber slug, shot through me.
"Calm down!" Weaver yelled.
I crumpled into a chair at the nearest desk.
"You better get a handle on your staff. Let 'em know how things work around here." Ken huffed at Weaver. "I assign the stories! They don't just go off doing as they please."
"That asshole better learn to shut his fat mouth, or I'll shut it for him!" I struggled against Weaver’s arm to get up.
“Both of you shut the hell up!” Weaver held me in my seat with one hand and pushed Ken toward the assignment desk with the other. “Ken, get back to the desk. Rene, my edit bay. NOW!"
Inside edit one, Weaver let me have it. "What the hell do you think you were doing in there?”
“He started it.”
“I stick my neck out and hire you with no experience. I defend you every time your stuff has to be re-shot by someone else, and you disappear for an hour, then pick a fight with the Assignment Manager?"
"Weaver, it's a good story."
"I don't care if it's the second coming of Christ himself. You just don't go off and do your own thing."
"So if I see a twenty car pile-up on Hollywood, you're telling me to ignore it?"
"You know better than that," Weaver sighed. "You gotta let the assignment desk know what you're doing. Ken's got way too many things to keep track of without wondering if some photog is off freelancing a story that no one wants."
"I'm telling you Weaver, this is a great story. The girl is fantastic, the pictures are there; the sound is clean. I nailed this one."
"Why didn't you radio that in before you shot it? What do you think your chances are of getting it on air now?"
I hung my head. "Yeah, I'll talk to him about it."
"You've done enough damage. You need to let this one go.”
“But Weaver, the story is gold.”
Weaver shook his head. “It’s my own fault. I knew you were too eager when I hired you.”
Was that a chink in his armor? Was Weaver coming around to my side? I sat there and tried to look pitiful.
Finally, Weaver sighed. “I shouldn’t tell you this, but if you really want to this story into a newscast, try to sell it to a reporter and have them sell it to Ken. Make it sound like someone else's idea."
“Got it.” I bounced to my feet and headed for the reporter’s pod.
“But I never told you to do it.” he called after me.
"Sarge" Wilders trampled through the newsroom like the proverbial bull-dyke in a china shop. Sarge spent half her life as a public information officer in the Marines. Her short-cropped hair and don’t-mess-with-me stare could wilt the resolve of the saltiest photog, but I had to try. “Sarge . . . uh . . . How about trying something a little softer today – It’s already shot – All you have to do is voice it.”
She lit into me like . . . well . . . like a drill sergeant. “Soft? Who you calling soft? The school board is voting on which standardized test to give to the little hellions. I have to be there this afternoon.”
"But Sarge, this story is visual." I begged.
"Too bad kid, the school board is real news."
Dick Hicks had always been open to my ideas before. He panned my idea for an interview with the mayor about the city’s effort to ban noise. And Boyd Leffingwell, the newsroom’s other screw-up, was all a twitter about his big live report from the 4-H fair.
When Ken caught wind of what I was doing he assigned me to Sarge and the school "bored" meeting from hell. I squinted through my lens as board members blathered about Iowa Test scores, bell curves, normalized results and standard deviations.
Riveting television.
While I wasted tape, my mind constructed Sam’s story, the sound bites, scoops of fries dropping into paper sacks, soft-serve ice cream globbing into waxy cups, the crinkle of cellophane as a customer unwrapped an after dinner mint.
It would never see the light of day.
to be continued
Tuesday, February 9, 2010
SHOOT WITH YOUR EARS (part one)
“You know, Baldilocks,” it was a pet name I had for our number two sports guy, “you’re just gonna pull a few more out like that.”
Bump continued checking his ever-thinning mane in the sun visor mirror. “Yeah, and I’m going to take hair advice from a guy wearing a mullet. I pull better looking shit out of my shower drain.”
“Leave my mullet alone.” I flipped my shoulder-length locks at him. It was a little Bald Cop/Hairy Cop game we played every time we worked together, which had been a lot recently. My knack for finding trouble made me an outcast in news circles. Ragging on Bump’s hair was better than talking quarterback ratings, RBI’s, or the sportswriter polls.
“That shit went out with hair bands. When are you going to lose that mop?” Bump complained, eyeing my mullet with contempt.
“At least I’m not counting follicles before every shoot.”
We had just wrapped up a less than riveting interview with the head baseball coach from Alexandria Senior High. I couldn’t help but wonder who Bump had pissed off to win my company for the afternoon. Six months of bone-headed mistakes had put me at the bottom of the photog food chain.
“I’m hungry.” Bump’s three-pack-a-day rasp interrupted my self-doubt. That rasp was amazing, considering he didn’t smoke. “Want some lunch? I’m buying.”
I couldn’t blame Bump or any of the other reporters for wincing when my name appeared next to theirs on the assignment sheet. Tape jams, blue video, broken mic cables, dead batteries, and head clogs stalked me. It was anybody’s guess how much longer Weaver could defend me when the suits in the front office bellowed.
“Yo! Buckwheat, I’m talking to you.” Bump slapped the back of my head. “That hair clogging your ears? I said, ‘I’m hungry.’”
He was always hungry. I turned to see the sun glint off Bump’s namesake, a large hump created by the drastic angle his over-sized nose took as it dove toward his upper lip. I dreaded lunch with Bump. He was a slob. When he offered to buy, it meant only one thing, Sonic Drive-In, big, flat, burgers eaten inside the car. At least it was free. I had been saving money for Susan's her birthday date.
I wheeled the turd-brown-Taurus into an empty stall at the Sonic on Lee Drive, and pressed the call button on the speaker box. Bump yelled our order from across the car. A few minutes later, a babe on roller skates glided our way, sandwiches, fries and drinks planted firmly on a red window tray. She stopped short in front of the car, pirouetted, and gave a deep bow. Not so much as a fry moved out of place. Then she skated to my door and hooked the tray to the window.
“Hi, my name is Sam. Thank you for choosing Sonic!” Her words practically jumped from her lips which she had painted to match our dinner tray. “Two Super Sonics, fries, a Coke and a Dr. Pepper, that’s seven-sixty-eight!”
Sam was way too excited about delivering burgers for a living.
“Hey, Sam.” Bump leaned across the front seat and dropped a twenty on the tray. “Thanks for the show. You still working on that ‘America’s Best Carhop’ routine?”
“Working on it? Won the regionals in Houston last week,” she beamed. “I’m headed to the finals at Sonic headquarters in Oklahoma City.”
“Keep the change,” I volunteered, “help pay for your trip.”
Bump shot me a look, but what could he do?
“Thank you. And thank you for dinning at Sonic!” Sam curtsied, “Ya’ll come back and see us soon.” She spun on one leg and sped back to kitchen.
"Why didn’t you tell me about her, Bump?”
He was already ear-deep in his burger. “Who, Sam?” A hunk of lettuce dangled from his lips. “She’s too young for you.” Bump wiped mayonnaise from his cheek with his sleeve. “Besides, what about Susan?”
“I don’t want to do her, you perv. And nothing happening with Susan.”
“Bullshit. I’ve seen the way she looks at you at the Gin.”
“Too much baggage with Ernie stalking her. We just party together when we bump into each other. Besides, who has time to date in this business.”
Bump gave me a you’re-full-of-shit look and licked ketchup off his fingers. “Then what do you want with Sam?”
“Sam’s got a great story – local carhop skates her way to national fame.” I fanned my hands across the windshield like I was laying out a headline.
“I don’t see it,” Bump gargled through another mouthful of meat and cheese.
“What do you mean you don’t see it? The skates, the tricks, it’s a great story.”
“It’s 1991. People want news, not a car hop contest.” Bump sprayed the dash with runny mayonnaise.
“Granted, it’s not like an intern giving the President a hummer in the oval office, but –”
Bump chuckled and dove into his fries. “Like that’ll ever happen.”
“You gotta admit it’s cute.”
“I don’t gotta do nothing, but finish this burger.”
I punched the button on the speaker box again and pitched my idea to the manager. A few minutes later, Sam was sitting on the hood of the turd-brown-Taurus snaking a clip-on, lavaliere mic under her uniform shirt.
I set my tripod to eye level. “Rock solid and on the sticks.” I repeated one of Weaver’s many mantras to myself. Each week during our tape reviewing sessions, Weaver would shake his head in disbelief at my misfortunes and try to sound positive. Sure, every week it was a different mistake, but with every piece of ruined tape, I could see my career as a news shooter slipping away.
The other photogs made it look so effortless. I, on the other hand, prayed every time I shouldered my big, orange Icky. I fumbled through each shoot and hoped I had flipped all the right switches. My amazing lack of aptitude put me first in line for the assignments no one else wanted.
Sam smiled sympathetically as I untangled myself from the mic cord. I peered through my lens, set the iris and flipped the white balance switch. At least everything would be the right color today. Inside the eye cup I framed a head and shoulders shot with the Sonic sign slightly out of focus behind her, and repeated another of Weaver’s favorites, “Composition, composition, composition”
I took a deep breath and hit record.
Sam answered my first question. I zoomed in for a head-shot and fired another question. She smiled and launched into a few sentences about Sonic’s made-to-order American classic burgers.
When she finished, I slid left – “Stick and move,” – and fought to lower the sticks. One of my tripod legs was stuck, so I bent over to grip the jammed lock mechanism.
“Whoa, whoa, WHOA!” Sam waved her hand in the direction of my lens.
I looked up from the stuck leg just in time to see Icky tilt up on its own.
Damn! Forgot to lock the tripod head.
Icky’s lens continued in its upward arc until it reached its tipping point. The locked tripod leg rose off the ground. There was no way Weaver could protect me if I dribbled Icky.
I dove.
Icky landed with a dull thud squarely on my chest. Bump screamed with laughter from inside the car while I flailed around on my back like a dying roach and gasped for air.
“Are you okay?” Sam slid off the hood to help me upright my camera.
“Happens all the time.” I wheezed.
Bump continued checking his ever-thinning mane in the sun visor mirror. “Yeah, and I’m going to take hair advice from a guy wearing a mullet. I pull better looking shit out of my shower drain.”
“Leave my mullet alone.” I flipped my shoulder-length locks at him. It was a little Bald Cop/Hairy Cop game we played every time we worked together, which had been a lot recently. My knack for finding trouble made me an outcast in news circles. Ragging on Bump’s hair was better than talking quarterback ratings, RBI’s, or the sportswriter polls.
“That shit went out with hair bands. When are you going to lose that mop?” Bump complained, eyeing my mullet with contempt.
“At least I’m not counting follicles before every shoot.”
We had just wrapped up a less than riveting interview with the head baseball coach from Alexandria Senior High. I couldn’t help but wonder who Bump had pissed off to win my company for the afternoon. Six months of bone-headed mistakes had put me at the bottom of the photog food chain.
“I’m hungry.” Bump’s three-pack-a-day rasp interrupted my self-doubt. That rasp was amazing, considering he didn’t smoke. “Want some lunch? I’m buying.”
I couldn’t blame Bump or any of the other reporters for wincing when my name appeared next to theirs on the assignment sheet. Tape jams, blue video, broken mic cables, dead batteries, and head clogs stalked me. It was anybody’s guess how much longer Weaver could defend me when the suits in the front office bellowed.
“Yo! Buckwheat, I’m talking to you.” Bump slapped the back of my head. “That hair clogging your ears? I said, ‘I’m hungry.’”
He was always hungry. I turned to see the sun glint off Bump’s namesake, a large hump created by the drastic angle his over-sized nose took as it dove toward his upper lip. I dreaded lunch with Bump. He was a slob. When he offered to buy, it meant only one thing, Sonic Drive-In, big, flat, burgers eaten inside the car. At least it was free. I had been saving money for Susan's her birthday date.
I wheeled the turd-brown-Taurus into an empty stall at the Sonic on Lee Drive, and pressed the call button on the speaker box. Bump yelled our order from across the car. A few minutes later, a babe on roller skates glided our way, sandwiches, fries and drinks planted firmly on a red window tray. She stopped short in front of the car, pirouetted, and gave a deep bow. Not so much as a fry moved out of place. Then she skated to my door and hooked the tray to the window.
“Hi, my name is Sam. Thank you for choosing Sonic!” Her words practically jumped from her lips which she had painted to match our dinner tray. “Two Super Sonics, fries, a Coke and a Dr. Pepper, that’s seven-sixty-eight!”
Sam was way too excited about delivering burgers for a living.
“Hey, Sam.” Bump leaned across the front seat and dropped a twenty on the tray. “Thanks for the show. You still working on that ‘America’s Best Carhop’ routine?”
“Working on it? Won the regionals in Houston last week,” she beamed. “I’m headed to the finals at Sonic headquarters in Oklahoma City.”
“Keep the change,” I volunteered, “help pay for your trip.”
Bump shot me a look, but what could he do?
“Thank you. And thank you for dinning at Sonic!” Sam curtsied, “Ya’ll come back and see us soon.” She spun on one leg and sped back to kitchen.
"Why didn’t you tell me about her, Bump?”
He was already ear-deep in his burger. “Who, Sam?” A hunk of lettuce dangled from his lips. “She’s too young for you.” Bump wiped mayonnaise from his cheek with his sleeve. “Besides, what about Susan?”
“I don’t want to do her, you perv. And nothing happening with Susan.”
“Bullshit. I’ve seen the way she looks at you at the Gin.”
“Too much baggage with Ernie stalking her. We just party together when we bump into each other. Besides, who has time to date in this business.”
Bump gave me a you’re-full-of-shit look and licked ketchup off his fingers. “Then what do you want with Sam?”
“Sam’s got a great story – local carhop skates her way to national fame.” I fanned my hands across the windshield like I was laying out a headline.
“I don’t see it,” Bump gargled through another mouthful of meat and cheese.
“What do you mean you don’t see it? The skates, the tricks, it’s a great story.”
“It’s 1991. People want news, not a car hop contest.” Bump sprayed the dash with runny mayonnaise.
“Granted, it’s not like an intern giving the President a hummer in the oval office, but –”
Bump chuckled and dove into his fries. “Like that’ll ever happen.”
“You gotta admit it’s cute.”
“I don’t gotta do nothing, but finish this burger.”
I punched the button on the speaker box again and pitched my idea to the manager. A few minutes later, Sam was sitting on the hood of the turd-brown-Taurus snaking a clip-on, lavaliere mic under her uniform shirt.
I set my tripod to eye level. “Rock solid and on the sticks.” I repeated one of Weaver’s many mantras to myself. Each week during our tape reviewing sessions, Weaver would shake his head in disbelief at my misfortunes and try to sound positive. Sure, every week it was a different mistake, but with every piece of ruined tape, I could see my career as a news shooter slipping away.
The other photogs made it look so effortless. I, on the other hand, prayed every time I shouldered my big, orange Icky. I fumbled through each shoot and hoped I had flipped all the right switches. My amazing lack of aptitude put me first in line for the assignments no one else wanted.
Sam smiled sympathetically as I untangled myself from the mic cord. I peered through my lens, set the iris and flipped the white balance switch. At least everything would be the right color today. Inside the eye cup I framed a head and shoulders shot with the Sonic sign slightly out of focus behind her, and repeated another of Weaver’s favorites, “Composition, composition, composition”
I took a deep breath and hit record.
Sam answered my first question. I zoomed in for a head-shot and fired another question. She smiled and launched into a few sentences about Sonic’s made-to-order American classic burgers.
When she finished, I slid left – “Stick and move,” – and fought to lower the sticks. One of my tripod legs was stuck, so I bent over to grip the jammed lock mechanism.
“Whoa, whoa, WHOA!” Sam waved her hand in the direction of my lens.
I looked up from the stuck leg just in time to see Icky tilt up on its own.
Damn! Forgot to lock the tripod head.
Icky’s lens continued in its upward arc until it reached its tipping point. The locked tripod leg rose off the ground. There was no way Weaver could protect me if I dribbled Icky.
I dove.
Icky landed with a dull thud squarely on my chest. Bump screamed with laughter from inside the car while I flailed around on my back like a dying roach and gasped for air.
“Are you okay?” Sam slid off the hood to help me upright my camera.
“Happens all the time.” I wheezed.
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